She was Lytton Strachey's wife or mistress or something. Also a pretty good artist, I say. Here's Strachey:

And here's E.M. Forster:

The Grove Dictionary of Art says:
She is aligned more with her Slade contemporaries than with Bloomsbury. The example of French art did not loosen her touch, and her obsession with her subject denied a more abstract perception of form. Often she is more Pre-Raphaelite than Post-Impressionist. The ‘preternatural acuteness’ that Julia Strachey observed in her view of others sharpens the fun in her letters and can give a startling intensity to her portraits and landscapes.I'm not sure whether that means she is good or bad. Regardless, I like these portraits. I'll have to ask Abby what she thinks of them.
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